Wednesday, November 26, 2014

174. Altered Designs for American Covers

The six volumes of The Collected Works of W.B. Yeats, issued by Macmillan in London between 1922 and 1926 (and reprinted several times), were also issued in American editions shortly afterwards. In his bibliographical description of the first volume Allan Wade states that the American edition of Later Poems was 'Issued in similar style and binding to the English edition', excepting the spine title and the trimming of the edges, an observation that was repeated in his descriptions of the other volumes.


Dustwrapper for W.B. Yeats, Essays (1924), designed by Charles Ricketts
The original cover drawing (also used for most of the dustwrappers), designed by Charles Ricketts, shows architectural elements. There are roses in the four corners. The central panel depicts sprays of yew and their berries, located at the corners. The inner panel contains circles and circled dots. These circled dots also appear in other places, and can be seen as Ricketts's trademark.

The volumes were printed by R. & R. Clark in Edinburgh. The American editions were 'Printed in the United States of America'. The London volumes were issued by Macmillan and Co. Limited, the American ones by The Macmillan Company of New York. The 'similar' bindings of the American editions were done in America as well, and, indeed, the designs for these bindings were redrawn.

The American deviation from Ricketts's original drawing can best be seen on the wrappers with the design printed in blue on brown paper. The second volume, Plays in Prose and Verse appeared in an American edition in April 1924.


Charles Ricketts, design for W.B. Yeats, Plays in Prose and Verse(American edition, 1924): upper part of front wrapper
The central panel with the circles and yew ornaments has been discarded in order to make room for a title, the author's and publisher's names (which in the English design are only printed on the spine of the wrapper). The cloth binding itself still shows these circles, so mercantile considerations must have prompted this change. Closer examination reveals that the whole design has been redrawn in another hand.

Charles Ricketts, design for W.B. Yeats, Plays in Prose and Verse (1922): part of front wrapper
Charles Ricketts, design for W.B. Yeats, Plays in Prose and Verse(American edition, 1924): part of front wrapper
The heavy circle at the top of the design (above the triangle) is now a more open circle, the dotted circles next to the roses have become simple circles, and small ornaments have been added:
Charles Ricketts, design for W.B. Yeats, Plays in Prose and Verse (1922):
part of front wrapper
Charles Ricketts, design for W.B. Yeats, Plays in Prose and Verse(American edition, 1924)
and dots have become circles. The new design lacks a certain subtlety. Another type of cloth has been used and the blind stamped design is less clear on the American volumes.

Apparently, the added ornaments had called for comments, and they were removed the same year. Essays (October 1924) had the adapted design: 


Charles Ricketts, design for W.B. Yeats, Essays(American edition, 1924)
On whose authority?