|Dust-wrapper for Charles Ricketts, Everything for Art (2013)|
The editor is Nicholas Frankel. The book is well produced, as are all books by the Rivendale Press, though I would have liked the colophon to state the typeface, the paper, and the number of copies printed. The publisher informed me that a 90gms Artic matt paper was selected; the type is Adobe Jenson. The book has, of course, not been issued as a paperback; the gatherings are bound in a brown cloth binding. The dust-wrapper shows four designs for initials that Ricketts did for his Vale Press books (now in The British Museum).
|Spine of binding for Charles Ricketts, Everything for Art (2013)|
The sections are: 'Writings on printing and book design', 'Writings on art', 'Memoirs and recollections', and 'Fiction'. The appendices unite two interviews from The Sketch and Bookselling, and an essay by Gleeson White on the work of Ricketts.
The readers of this blog will be pleased to see that the three essays on Egyptian art that I discovered a few years ago - they were not discussed before I blogged about them in November 2011 (see blog no. 16. Head in Obsidian) - have been included in full. Readers who do not have access to JSTOR can find the full text (not the images) in this new anthology.
I was surprised to see that Ricketts's essay on 'William Morris and His Influence on the Arts and Crafts' was selected for the 'Writings on Art' section when I would have expected this piece on book design to be in the first section that deals with this subject, and rightly so, because these articles helped shape Vale Press and other books.
I was also surprised to find no index in the book. We will have to compile that ourselves. We need a volunteer!
Starting next week, we will immerse ourselves in Ricketts's world by means of Nicholas Frankel's new selection of texts. Get yourself a copy, so that you can join the conversation!