|Invitation, Preview Party, 'All for Art' (1979)|
When, in 1973, Michael came to the Fitzwilliam as Director, he allowed me to bring a printing press, an 1873 miniature Albion.To this the Friends of the Fitzwilliam added, in the summer of 1975, a Crown Folio Arab treadle platten once belonging to the Printing House of Stanbrook Abbey in Worcestershire whose nuns had produced so much for Sydney Cockerell, the most celebrated former Director of the Museum.With these presses I produced posters, fliers and announcements – things for which the Museum had no funds. I struggled. The task was almost impossible, and everything looked sadly amateur or even crude.
I found a copy of the 1979 invitation in a copy of the exhibition catalogue. Of course, I already have two copies of that catalogue (the one a hard cover, the other a paperback), but now I realised that I had always owned the international edition of the bound edition, because this copy is slightly different. The dust wrapper mentions the price in pounds, while the international edition doesn't mention a price. That edition was destined for the overseas market; the Cambridge University Press had offices in New York and Melbourne as well as in London at the time (as the title page mentions).
|All for Art (1979): paperback, British and international edition|