The unsold (and unbound) sheets were leftovers of the 1882 edition. Bogue, Wilde's early publisher, sold around one thousand copies of the book before his bankruptcy. Sheets of the unsold copies were said to have been transferred to Chatto and Windus, and, later, to Osgood McIlvaine, before they were sold on to Matthews and Lane. This modernist firm acquired 230 sets of sheets, and as 10 were spoilt during binding, the new edition comprised 220 copies. These copies were signed by Oscar Wilde on the page with the limitation statement.
Ricketts had designed that page, the title page, the endpapers, and the binding. It is unclear who designed the half-title that was part of the new gathering that was added to the old sheets.
|Limitation statement in Oscar Wilde, Poems (1892)|
A similar triangle of decorations can be found in the second issue of The Dial (1892). The last page in this magazine contained small bird decorations in four lines: three birds, two birds, one bird and another one in the last row. The decorative triangle was not placed on a blank page. To the upper right side of it, the name and location of the printer were mentioned, and under the triangle, somewhat to the right, the year of publication.
|The Dial, No. 2 (1892)|
Another example can be found on the cover of The Picture of Dorian Gray, issued by Ward, Lock & Co. in 1891. The name of Dorian Gray is placed on top of a triangle of four, three, two, and finally, one depiction of a flower.
|Oscar Wilde, The Picture of Dorian Gray (1891)|