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Frank Brooks, 'Portrait of Alfred William Pollard' [© British Library] |
In December 1899, he mentioned Ricketts's A Defence of the Revival of Printing (published June 1899) in The Library, the magazine of the Bibliographical Society:
The revival of printing is hardly in need of a defender, and Mr. Ricketts' "defence" is indeed chiefly directed against certain criticisms on his own share in it. Incidentally, however, he makes some excellent observations on the lines on which all sound printing and type-cutting must proceed, and his pamphlet is one of the pleasantest of the "Vale" books.
He had apparently received the book soon after its publication, because in July he gave it to the bibliographer Robert G.C. Proctor (1868-1903) to read. Proctor had become an assistant to the same department at the British Museum in 1893. He was an expert on incunabula. In his diary, Proctor wrote (without enthusiasm):
Got Ricketts on printing from Pollard – badly written, & not well printed – he breaks his own rules.
(diary entry for 31 July 1899).
[For Proctor, see also blog 220].
Three years later, Pollard wrote about 'Recent English Experiments in Artistic Printing' for an American magazine, The Literary Collector (March, 1902):
[The Vale Press books] have many excellencies, but they cannot stand the test of comparison with those of Morris. Their highest success seems to me to lie in some of their borders, which are quite original and have a lighter and gayer touch well in keeping with the lyrics they surround. [...] It could not help working on the same lines [as The Kelmscott Press], and yet it strove to be different; and in the effort to be different fell back at times on mere eccentricity, as in the ugly intermixture of large and small letters in one or two of its colophons, and the staring form adopted for &. Nevertheless the fount is a fine one, and with tolerable initials and the occasional excellence of its borders the books are pleasant possessions.
The King's Fount in The Kingis Quair (vale Press, 1903)
In 1912, Pollard published Fine Books (Methuen & Co.) in which he criticised the Vale Type and King's Fount: