Wednesday, December 6, 2023

644. "A Picture Collector Mr Drucker"

In November 1911, Charles Shannon was sent to Amsterdam by the Royal Academy to collect a painting by Jozef Israels who had died in August. Ricketts travelled with him.

In 'cold January weather', they spent four days in The Hague, Haarlem, and Amsterdam, where Shannon visited dealers and private owners. Ricketts wrote about their Dutch stay in a letter to the artist and critic Richard Roland Holst (1868-1938)an old friend who had first visited them in London in 1893. However, they had not visited Roland Holst in Amsterdam and Ricketts explained that they had had very little time to spare and, besides, they did not remember where he lived.

During their stay, they were accompanied by 'Mr Drucker', Ricketts wrote: 'A picture collector Mr Drucker usually trotted us about.'

J.C.J. Drucker (photo: 1939)

This was convenient because Drucker spoke English. Although he was Dutch by birth (his father was from Germany), he had moved to London in 1883, married an English woman, Maria Lydia Fraser, and become a naturalised British citizen.

Jean Charles Joseph Drucker (Amsterdam 1862 - Montreux 1944) came from a wealthy family and started collecting paintings and watercolours in 1885. He mainly acquired works from artists connected to the Hague School; later he also acquired works by their Amsterdam contemporaries such as Breitner. He acquired these artworks from the Hague branch of Goupil and from other art dealers such as Elion, Preyer, and Van Wisselingh, while the firm of Arthur Tooth and Sons advised him on the acquisition of Chinese porcelain and furniture (the latter part of his collection later proved to contain little of interest).

From 1903, he loaned works to the Rijksmuseum and soon after, the idea arose to donate the entire collection to the museum - the Drucker-Fraser marriage remained childless. In early 1904, the public could admire works by Lourens Alma Tadema, Willem Maris, Anton Mauve, Albert Neuhuys and Jan Hendrik Weissenbruch in a specially decorated room. In his will Drucker stipulated that the works would be left to the museum on condition that particular rooms were made available for the collection. Despite this bequest, he also donated some works to the National Gallery in London.

Jozef Israels, 'Blik in de verte' [Gaze into the distance] (1907)
[Rijksmuseum, Amsterdam]

In 1909, a specially built extension of the Rijksmuseum provided the space for a new display of the now-donated works - 38 paintings and 31 drawings. In June 1911, the Druckers also donated 12 paintings and 17 watercolours by Jozef Israels.

In view of the assignment Shannon had received in London, it was not surprising that he and Ricketts contacted Drucker.

To Richard Roland Holst, Ricketts later wrote about Drucker: 

I asked him if he knew your address, he did not, but a charming and very pretty young Dutch girl we met at his house spoke enthusiastically of your Pan and Lucifer stage decorations. We would have been charmed to have seen you in the evening, but chance was against it. 
[Typed transcription, BL Add MS 61715, 137-8]