Wednesday, April 10, 2024

662. A Working Drawing for an Exhibition Room

Charles Shannon focused mainly on his fine art in lithography, pencil or oil. But in the early days he designed and made furniture, later, when Ricketts and he resided in the Keep of Chilham Castle, he designed fabrics for the four-poster beds. On occasion he designed a baptismal font, magisterial dressing gowns or the likes.  Although there is a catalogue of his lithographs, a survey of his paintings has never been published, and an inventory of his decorative works will probably never be made.

After his death, Christie's auctioned a four-fold screen. It is listed in Catalogue of Drawings and Paintings comprising […] Paintings by C.H. Shannon, R.A. Esq. Sold by Order of the Executors […]. London, Sotheby & Co., 29 March 1939, p. 18, no. 114, and described as 'A four-fold screen depicting various harvesting scenes by C.H. Shannon, R.A. each panel 70in. by 36in.' It was sold for £3 15s to Francis Howard.

Perhaps this was the 'decorative panel' called 'Autumn' that Shannon had exhibited in 1923 at the Royal Academy, see Exhibition of Decorative Art. Winter Exhibition Forty-Eighth Year. London, William Clowes and Sons, Printers to the Royal Academy [1923], p. [1], no. 2. 

In most cases, there are no images of such decorative works.

The British Museum holds a working drawing for a design that may have been intended as a tapestry, a folding screen, a tiled tableau, or some other type of decoration. It has no title.

Charles Shannon, Figures decorating an interior
[Location: British Museum, London: 
1962,0809.32]
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license
[© With permission of the executors of the Charles Ricketts estate,
Leonie Sturge-Moore and Charmain O'Neil]

The drawing on paper (see the description on the British Museum website) is a brush drawing in grey ink, and graphite, squared for transfer, 34 x 43.2 cm. It is inscribed 'Shannon', and: 'Study for a Decoration'. Numbers have been written on the left-hand side.

It is an interior scene, in which ten characters engage in different activities. On the left side are tall windows, and a figure standing on a ladder arranging the curtains, aided by another on the floor.

Charles Shannon, Figures decorating an interior (detail)
[Location: British Museum, London: 
1962,0809.32]
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license
[© With permission of the executors of the Charles Ricketts estate,
Leonie Sturge-Moore and Charmain O'Neil]


To their right, on the floor in the foreground sits a figure, apparently lifting a rug to some extent, perhaps to straighten it. 

In the corner by the window is a cabinet on legs. Paintings hang from left to right on the back wall.

Charles Shannon, Figures decorating an interior (detail)
[Location: British Museum, London: 
1962,0809.32]
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license
[© With permission of the executors of the Charles Ricketts estate,
Leonie Sturge-Moore and Charmain O'Neil]

In the left-hand corner, a figure supports another, standing on a ladder, hand held to the top edge of a painting, presumably to hang it straight.

Next to them is a figure with a broom, while in front of this person another worker kneels on the ground, apparently with a dustpan and brush.

Charles Shannon, Figures decorating an interior (detail)
[Location: British Museum, London: 
1962,0809.32]
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license
[© With permission of the executors of the Charles Ricketts estate,
Leonie Sturge-Moore and Charmain O'Neil]

On the right, a person is holding a painting in front of a seated figure, while in the middle behind them another figure is holding a painting diagonally. In front of the seated figure appears to be a table (perhaps the person sits in a wheelchair?).

The scene seems to be this: a room is transformed into a temporary exhibition space, or a personal gallery of paintings. The patron is then the seated figure.