The drawing is done in black and red chalk on paper and has a modest size: 24.7 x 34.2 cm. It is not dated but signed with initials ‘CS’ (lower left).
Charles Shannon, studies for a male nude (undated) |
Actually, they are not studies of different male models, but clearly four variations for one figure.
In the centre is the largest sketch of a hunched and moving man who has raised his arms above his shoulders and neck. A separate sketch of the head is drawn in the lower right-hand corner. Top left is a study of his bent left arm. Below is a sketch of his other arm holding a staff.
Charles Shannon, 'The Infancy of Bacchus', lithograph, 1897 [Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license] |
Obviously, in the lithograph the image is mirrored. The three paintings are all tondos in different sizes.
1.
‘Hermes and the Infant Bacchus’ (31 in. by 31 in.)
Date: 1906 [exhibited 1907].
Location unknown.
2.
‘Hermes and the Infant Bacchus’ or ‘The Infant Bacchus' (78.5 x 78.5 cm; 43 in. by 43 in.)
Date: 1908.
Location: Tate Gallery, London.
3.
‘Hermes and the Infant Bacchus’ (40 in. by 41 in.)
Date: 1926.
Location: Usher Gallery, Lincoln
Charles Shannon, 'Hermes and the Infant Bacchus' (1908) [Location: Tate Gallery, London] |
The leaf with studies is for one of these paintings and could date from 1905 to 1926. Roseberys' estimate is £500-£700 (opening bid: £340).