|Xavier Giudicelli, Portraits de Dorian Gray (2016)|
Giudicelli's study, Portraits de Dorian Gray. Le texte, le livre, l'image (2016), looks promising, although on first perusal I found some disturbing and odd mistakes. For example, on page 18 Wilde's The Sphinx is mentioned in a footnote, and the author seems to think that the book was illustrated by 'Charles Ricketts et Charles Shannon'. Of course, Shannon had nothing to do with it. The author confuses both artists in a paragraph on page 58, writing about A House of Pomegranates:
les décorations sont de Shannon, tandis que les gravures placées avant chaque conte sont de Ricketts.
Obviously, it is the other way around, as every bibliography duly notes.
I haven't been able to read the whole book carefully yet, but these errors and the illustration of A House of Pomegranates disturbed me. A full page colour image of the binding, designed by Charles Ricketts, is on page 59. This copy is in such a worn state that the inclusion of the image does not do credit to the designer nor to the author. There are many better copies around.
|Oscar Wilde, A House of Pomegranates: a worn copy|
The illustration shows a full leather binding, with raised bands, gilded and decorated with red dots on the spine (Ricketts's original spine design has been discarded). The front of the binding seems to be some sort of reproduction of Ricketts's original design, but it isn't. It is based on a badly redrawn image. See for example the star after Gray: it should have been a group of seven dots representing a flower. See the circle between Dorian and Gray: in the original there is a circled dot. The binding depicted must be a private binding, a modern one probably, and certainly a rebound copy.
Has the author of this new study on Wilde's The Picture of Dorian Gray ever seen the original edition?
|Decoration by Charles Ricketts|
|Binding with a badly drawn decoration after the design by Charles Ricketts|
Note, 1 December 2016:
Michael Seeney was so kind to point out that the author of the book believes that the first illustrated edition dates from 1908, but Stuart Mason, in Art and Morality, lists an earlier one: an illustrated Russian translations from 1906. These illustrations are by Modest Durnov (1868-1928), who has been described as 'a dandy in the English style'.