Charles Shannon is primarily known as a wood-engraver, draughtsman, lithographer and painter, and there is no doubt that wood-engraving, pencil, oil paint and lithography were the media with which he achieved his finest results, but very occasionally he experimented with other techniques.
Shortly after his death, P. & D. Colnaghi & Co in London organised a retrospective exhibition of his prints, Exhibition of the Lithographs of the Late Charles Shannon, R.A., which ran from 20 January to 3 February 1938. The catalogue lists 103 lithographs, twelve chiaroscura woodcuts and two drypoints.
The catalogue does not specify the year of creation for any of the lithographs or woodcuts and the two drypoint etchings are also undated. They were on loan from James Howard Bliss (1894-1977) and his elder brother Arthur Edward Drummond Bliss (1891-1975).
Number 107 is 'Portrait of Charles Ricketts' (See for this print blog 436. Charles Ricketts Drawn by Charles Shannon).
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| Charles Shannon, 'The Hand-Mirror' (drypoint) British Museum, Number: 1949,0411.450 [© The Trustees of the British Museum. Shared under a |
Drypoint on thin cream paper
Its dimensions are: height: 152 millimetres and width: 127 millimetres.
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| Charles Shannon, 'The Hand-Mirror' (lithograph, 1896) British Museum, Number: 1899,0321.8 [© The Trustees of the British Museum. Shared under a |
In his catalogue of the lithographs of Shannon, Charles Ricketts dates the print to 1896 and he noted: 'This is a transfer lithograph privately printed as a gift'. He does not mention the existence of the drypoint.

