Charles Ricketts, 'In polisht walls a sister found is kissed' (wood-engraving for Danaë, 1903) (detail) |
Charles Ricketts, 'She kneels in awe beholding lavish light' (wood-engraving for Danaë, 1903) (deatil) |
Gustav Klimt, Danae (1907-1908) |
Charles Ricketts, 'She kneels in awe beholding lavish light' (wood-engraving for Danaë, 1903) (deatil) |
We have also studied the sequence of the images that was criticized by Edward Hodnett who characterized the last as superfluous. However, we have established that Ricketts willfully concentrated on the captivated Danaë, a situation that he dramatized by showing us her loneliness (in kissing her own mirror image), in her aloofness and distress when she is visited by the god Zeus, and in her longing for the outside world in the third picture where she is found gazing out of a small window.
Charles Ricketts, 'Danaë at her twilit lattice ponders' (wood-engraving for Danaë, 1903) (detail) |
Most readers of the book will have had an experience like this. It is the 'last book' published by the Vale Press, as announced in its colophon, but it is by no means the easiest book to grasp. The type chosen for the text is the King's Fount, that was dismissed by many critics as an abhorrence. The Morris devotee and type connoisseur Robert Proctor - a young assistant keeper - was vehement in his judgment when he saw the book in the British Museum. In his diary of 22 July 1903 he wrote that he found 'the last issue of the “Vale Press”' a 'very ugly' book.
Ugliness or beauty are not constant factors, and a book is best judged by examining it closely, independent of taste. Any incentive may serve to do the job, and I am sure that in the future other opportunities involving new ways of looking at these images will turn up.