The Gilbert and Sullivan Archive (seen: 19 April 2015) |
But Ricketts, living in Japan? Who invented that story? It is, by all means, a lovely phantasy. One could imagine Ricketts in a Japanese studio, writing in his diary, contemplating art, painting, and entertaining guests.
The Gilbert and Sullivan Archive (seen: 19 April 2015) |
Ricketts trained at Dartington? Of course not, the paragraph has Ricketts mixed up with a later Mikado designer, Peter Goffin. Bridget D'Oyly Carte (1908-1985) was only 18 when the re-dressed Mikado was launched.
In a letter to Gordon Bottomley, Ricketts wrote about the first night:
In the Mikado everything turned out perfectly in execution, the dresses being the most successful I have so far done. With the exception of Katisha - who hated her dress - all the women looked exquisite. Binyon was overwhelmed. The men, I regret to say, excepting Koko and Pooh Bah, were paralysed by their clothes and looked dressed up. The house on the first night, and the public since, have been enthusiastic. The hostility in the Press was, I think, due to some dozen interviews I gave to as many Pressmen at Townshend House in the dining-room before D'Oyly Carte. I think they thought me a gentle lunatic, but praised the drawings; hence sniffs and dispraise among the musical critics.
[Quoted after Self-Portrait Taken from the Letters & Journals of Charles Ricketts, R.A., 1939, p. 368-369.]
Binyon was Laurence Binyon, (1869-1943), poet, and keeper of (oriental) prints at the British Library. He was a connoisseur of Japanese prints who visited Japan in 1929.